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electronic

 

DIFFERENTIATION (1980)


LEAVES (1981)

For Baritone, Violin, Cello, Piano, Percussion, and Electronic Music, on poetry of Michael Atwood.


HYPNO (1982)

For solo mini-Moog. Musical Arts Center, Indiana University.


SCHIZO (1982)

For Clarinet, Synthesizer Quartet, and Percussion. Musical Arts Center, Indiana University.


DINOSUARS AND BUTTERFLIES (1983)

For Synthesizer Quartet. With Armando Tranquilino. Musical Arts Center, Indiana University.


PRECIPITANDO (1986)

From Tape Symphony. The Inaugural National SEAMUS Conference, Dartmouth College, 1987.

 
 
 

REFRAIN (1986)

Recital Hall, Indiana University.

 
 
 

 TRAGOiDIA / KOMOIDIA (1987)

With Armando Tranquilino. First Prize (1er prix, Prix de la musique électroacoustique à programme, 16e Concours international de musique électroacoustique de Bourges 1988, Bourges (Cher, France). Distributed by Harmonia Mundi. 

 
 

Choreography by Windfall Dancers; Kim Burden, Artistic Director;
Dancers: Susan Beard, Kim Burden, Heather Good, Cara Hanes, Stacy Reischman, Allana Radecki, Lynda Ransburg, David Wade; Guest Dancer: Amy Marcus-Levitin

 
 
 

SETS (1987)

Musical Art Center, Indiana University.

VENT! (1987)

Musical Art Center, Indiana University.

FANTASY (1989, REV. 1991)

For Violin and pre-recorded Electronic Media, Centaur Records, 2005  Davis Brooks, violin; also appearing on volume 1 of Davis Brooks: Music for Violin and Electronics CD series.

 
 

Elisa Barston, Violin

Lawrence Golan, Violin

 

4TH YEAR LEVEL CONCENTRATION (1989)

After Corelli’s Folia, with Armando Tranquilino; for Flute, Bassoon, Alto Saxophone, Trumpet, Congo, Harpsichord, Double Bass, and pre-recorded Electronic Music. Recital Hall, Indiana University.

 
 
 

HYPERMIX (1991)

With David Dzubay 1992 National SEAMUS Conference. Chansons Innocents, IU Trustees Records.

 
 
 

“AFTER” JOSQUIN (1993)

Advanced research grant, Indiana University.

 
 
 

BURTON TOWER PRELUDE (1997)

Music from the University of Michigan Studios, Centaur Records.

 
 
 

7TH TRUMPET TOCCATA (1997)

Music from the University of Michigan Studios, Centaur Records.

 
 
 

HOUSE MUSIC FOR UNCLE DON (2008)

In memorium, Donald Erb.

 
 
 

SAX GROOVES (2009)

A la Weather Report.

 
 
 

PIANO PULSE (2010)

A brief mechanistic flurry.

 
 
 

GREAT SPIRIT (2012)

Commissioned by the Eiteljorg Museum of Western and Native American Art with the support of the Lilly Endowment. Electronic media with “live” Native flute and narration. Albany Records. Native flute performed by James Pellerite; George Shirley, narration; James Aikman, pre-recorded electronic music.

 
 
 

to the passage of time (2012)

Collaborative structured improvisation with Robert Spalding Newcomb that follows the rehearsal process of several pieces as they evolve from early stages towards the performance. Selected pieces below. Partial Music LLC.

 
 
 

Willow Run Machines (2014) 

For Ernestine Ruben. 

 
 
 

MANDELA: I. ROBBEN ISLAND (2016)

From the Emmy®Award winning Peacemakers. George Shirley, narration of Invictus by William Ernest Henley; Davis Brooks, violin; James Aikman, pre-recorded electronic music. Animated videography by Mike Halerz. Released by Davis Brooks on his series, Music for Violin and Electronics 2.

 
 
 

film music

 

DORDRECHT VERZAMELT (2010)
(‘DORDRECHT COLLECTS ART’)

A Dutch film/documentary by Annemarie Strijbosch on the role and history of art in Dordrecht, Holland. (in Dutch)

DE ZIEL VAN DE STAD (2011)
(‘THE SOUL OF THE CITY’)

A Dutch film/documentary by Annemarie Strijbosch on the city of Dordrecht, its vibrant life, scenes and history. (in Dutch)

 
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